RAVEN MACK is a mystic poet-philosopher-artist of the Greater Appalachian unorthodox tradition. He does have an amazing PATREON, but also *normal* ARTIST WEBSITE too.
The
rise of Artisanal Poverty in American culture over the past quarter century has
been strange, where the children of affluence conceal themselves in the
camouflage of struggle, only to end up buying houses cheaply in “bad”
neighborhoods, after years of renting in same places, driving up the “value” of
those locations collectively. The first sign of successful occupation is the
small business bakery, in a corner store front that had either been abandoned
for a while, or was a church, or some weird shit. But now it’s a bakery, with
really delicious but expensive pastries and breads, and literally nothing else.
Definitely pie. The boutique pie shop is a definite staple of the Artisanal
Poverty movement. Many of the denizens still dress as if they’re street urchins
from Birmingham (UK) in the decades after the Industrial Revolution, but most
of them are college graduates, albeit struggling in the declining American
Empire, thus often required to work service industry jobs while also “building”
their own small businesses through the access to wealth they always had as
foundational support. They make money, but also have a lot of bills, thus they’re
always “broke”, usually because they have to access forms of wealth they’d
rather not more often than they’d like to. And for many of them, used to seeing
the previous generations accumulate wealth rather than barely hold even or
actually dip into that wealth, it feels like they are broke somehow. They try to
save money, only going to the pie shop or corner pastry spot a couple times a
month, rather than every Tuesday afternoon like it used to be. They share the
logins for streaming services with their close circle, so that they can still
watch everything important without having to pay for it directly. Eventually,
the original house in an old neighborhood loses its luster because everything
got “too bougie” and gentrified for them, the earliest colonizers of a bad
neighborhood. So they sell it, quietly, without calling a lot of attention to
the move, because profiting off a neighborhood that they directly helped
gentrify breaks the Artisanal Poverty aesthetics. Keep that on the down low,
but they can roll the profits into paying their parents or grandparents back a
little bit of money, to keep things kosher for the next time they have to lean
on that wealth that will inevitably fall to them anyways. Plus, usually they got
a little extra to roll into a new truck down payment for their construction
business, which also helps validate the Artisanal Poverty vibes, because it’s
like they are an old country music song, except they are wealthy, and hardly
rural in cultural practice, despite what their location may have ever
suggested. Artisanal Poverty’s clout levels have risen immensely in recent
years, due to the expansion of memes, which have co-opted skillets (aka “frying
pans” to most of them), pop country music of yesteryear, and pre-suburban
imagery of rural America. Most of them don’t realize pop country has never been
truly rural, in many many decades, and they are worshipping a past vision of
American life that never actually existed in the first place, not unlike Trump
supporters, just from a contrarian position. Dolly Parton is the patron saint
of Artisanal Poverty, which is no diss to Dolly, because I play my “Jolene” 45
at 33 rpm at least a couple times a month still, though to be honest the shit I
go to more often than not is the first Trio record. Artisanal Poverty loves
Dolly Parton, and Reba McIntire too, but never has shit to say about Emmylou
Harris, ever. Very telling. But Dolly’s visual aesthetics plus progressive
attitudes towards sexuality makes her the patron saint of Artisanal Poverty. So
if you find yourself walking through a strange city, and you’re going through a
rough-looking neighborhood, so your media-ingrained anxieties start to rise,
and you’re slipping into hyper-awareness fight-or-flight mode, but all of a
sudden you see a small bakery shop, for some weird reason, with Dolly Parton
blasting respectfully loud inside, fear not friend, you’re not in an actual
poor neighborhood. It’s just an Artisanal Poverty zone, and you’re safe (as
long as you or your parents’ credit rating is good enough). Try the organic apple
fritters, and lose yourself in trying to decipher all the colorful expensive
tattoos’ super-clever meaning!
Was talking with my gf before the big parade of gun dorks in Richmond, comparing and contrasting how that felt in the build-up to Charlottesville in 2017. I was talking about how it being cold as fuck was a benefit, "because it doesn't feel so good get punched in the fuckin' face in freezing weather." She suggested it never feels good to get punched in the face, but I don't know, coming from a hopeless, reckless, and self-destructive background, there's times where you just want to feel a small dose of violence, like an immunization against worst flare-ups almost, and getting hit in the fuckin' face is part of that. Summertime it don't feel so bad, if you're looking for trouble - you get into conflict, people smash on each other, everybody ideally feels a little less likely to smash on each other. I'm not sure in a world where a bunch of people have pretty frustrating and pointless existences that you can ever have an idealized utopia without shit like that. But I know I'm far more likely to be looking for a fight and hoping shit pops off in the summer than I am the winter. That's when cities with gun problems have more shootings, people are out more getting on each other's fuckin' nerves, all that.
Anyways, with climate changes and the current era being a bit warmer than historical recent eras, get ready for more people looking to punch each other in the face. If you're not about that, learn navigational skills, because you'll never stop it entirely. Warm weather ain't always about big breasts in tank tops and hypermasculine abs on full display. If life gives you lemons, everybody knows to make lemonade, but a lot of people out here ain't got no sugar to put in it.
I am not afraid to listen to some really horrible music from time to time. In fact, nobody should be. Everybody acts like they're a cultural critic online, that you are curating for eternity only the most important things to be consumed (as if any of this pop culture we make is strong enough to stand the test of even a decade much less eternity), but we are not. We are people who are consuming things. If it makes you feel good, and is not poisoning you, then fine. (When you figure in the subconscious, and how much of our pop culture is poison for the subconscious, it becomes more complicated, but that is a conversation for a Tuesday morning, not a Saturday afternoon.)
A recent classic of those afflicted by poor choices and failure demons. Some of us are just meant to embrace the wrong step, and in fact somehow turn it into an impressive swagger of reckless doom. A lot of times with famous people who do amazing shit and die quickly, there is a normie tradition of being like "gone too young" about them. But imagine if Amy Winehouse had been alive, and doing Toyota commercials or some shit. I always think of this as the Cliff Burton rule - if Cliff Burton had remained alive, it wouldn't have kept Metallica pure; he likely would've fallen under the same evil wizard spell everybody else fell under after Lars Ulrich dabbled in his father's black magic arts. Sometimes the universe knows we have done what we need to do, and also knows the weight of struggle which we squeezed our art from, and decides it's all good, time to go. Can't question that shit or assume if Amy Winehouse had not succumbed to failure demons, that she miraculously would have ended up being something other than what Amy Winehouse is. Sometimes poor choices live forever.
Stalley secretly became one of my favorite rappers
this past year. The Tell the Truth Shame the Devil series of EPs, from which
this song comes from, is fuckin’ great. I am mostly prejudiced against Ohio, in
all forms, because it’s one of the most godforsaken places ever. Not really
midwest, not really east, not really Appalachia (fuck you J.D. Vance), not really
anything... just a big ol’ mass of kind of a bunch of different things. And yet
some wonderful things have come out of Ohio, with stealth. Stalley is that
classic industrial shithole rapper though, who got signed to big thangs (Mayback
Music Group) but ain’t do shit really with that, and somehow ended up being way
better once he was off the corporate chain. People who grew up steeped in
struggle, which all rappers claim but there’s different layers to struggle –
the struggle spectrum is not a binary (which is why people always play
oppression olympics with each other, to prove how oppressed they are, when
usually the types who play that are from the lighter end of the spectrum), but
once you know that struggle deeply, to your DNA, through generations, lolol
shit like “maybach music” is actually corny as fuck to your molecular make-up.
So you end up getting dropped, or fucking it up by making poor choices (always
poor choices), and you end up releasing a sick ass series of EPs about shaming
the devil on your own Blue Collar Gang label.
This song really speaks to me, as does much of Stalley's 2018 body of work. Motherfucker is on some shit.
The process of down-lowing is either discretion or
dishonesty. Sometimes discretion crosses over into dishonesty. Sometimes you’re
being a dishonest asshole but think you’re just keeping it discreet. People
know though. It’s not hard to be good to people, and feel good with people
without traumatizing anybody. It’s really not that difficult. And yeah, you
gotta be discreet, sure, because people always looking to apply their external
judgments or emotional lashings on you. Fuck it though. It’s Friday, fall, feel
good weather, y’all get that serotonin firing.
#1: public pool’s final/weekend - poorly tattooed moms/factor null and void #2: love too be ragged/camo cargo mundo heart/love too be hopeless #3: wretched-born pureheart/scribbles nonsense gibberish/by kiddie pool’s splash #4: love too be idle/love too be unproductive/love too laze around #5: let us normalize/not doing shit; normalize/freakish wild ass ways #6: your best decision/sometimes is you’re poorest choice -/ poor choices baby! #7: I’m a sum result/of seven generations/of poorest choices #8: only son of an/only son - but I’m blessed with/nothing but daughters #9: breaking cycles which/perpetuate false goodness -/inshallah, ya bish #10: when I’m dirtgod dead,/it’ll be all good, since three/dirtgoddesses stand