An interesting (to me) aspect of U.S. American culture is how the path becomes off the beaten path which then becomes forgotten and perhaps demolished and renewed in an attempt to regain that euphoric newness. Downtown Norfolk, and Norfolk itself, gets lost in the larger bubblings of “The 757”. But a lot of sub-culturally historic shit went on down there. In terms of tattooing, Cap Coleman came to Norfolk around 1918, the downtown Main Street of Norfolk was one of the more wild and wide opened places in the country, and definitely state of Virginia. His tattooing shop set up and was a mainstay there for decades, spreading tattooing worldwide through the sailors that would (and still do) get stationed in Norfolk.
Not far from there, first up Church Street, but later right around the corner on Granby, Frank Guida operated a booming record store, specializing in all music. A Sicilian who grew up in The Bronx, he had history singing in Harlem night clubs before coming to Norfolk, so he was an avid supporter of jazz and R&B music, and in fact, got involved in the music scene, and helped grow what would become known as the Norfolk Sound. Primary creative force behind that sound was Lenis Guess, who started his own label and began promoting and managing his own work as well as others. He had his hand in a bunch of great music, either as songwriter, performer, or recording engineer. Eventually, he moved to New York City, as most folks building scenes “off the beaten path” are tempted to do, trying to find the fame they seek in life. But Guess never got the props he should’ve gotten. A couple retrospectives have come out in recent years, including a 45 box set called The Norfolk Sound, put out Soul Jazz Records in the U.K. This is not from that box set, but an independent single, seemingly released as part of Guida’s label Legrand Records, back around 2000. The copy I got (can’t remember where, but it was in physical person, and I remember being stoked as fuck to find it) had plenty of scribbles, with some Xes on the B-side, “Some Woman’s Bedroom” with a note saying to not play on the air. That made me think it was older than it likely was, but who knows? Who the fuck knows? Lenis Guess passed away in 2021.
U.S. highway 460 begins down in Norfolk, and these downtown spaces used to be the eastern terminus of this formerly major highway, long before the interstate system was built. I know much of 460 well, to this day, from The 757, up through where I grew up Southside Virginia, with a bunch of my family including my dad and grandparents buried in a cemetery right along it near Rice. And I’ve driven that road slowly but happily avoiding the interstates, down to Roanoke and Southwest Virginia, on into West Virginia, many many times over recent decades. 460 still goes all the way to Kentucky, almost to Indiana, and before a 1976 decommissioning, used to go through the crazy spaces of southern Indiana and Illinois, all the way to East St. Louis, before terminating at the Mississippi River.
Conceivably, you could still piece together that path, from the Mississippi at East St. Louis, looking across at the Arch from the casino they built that’s supposed to resurrect that particular dying space (but hasn’t yet). And you could plod your way along these forgotten and abandoned paths, all the way through the southern Midwest (a strange place, for sure… the land of death matches), on through the heart of Appalachia, into Virginia, through all the less glamorous and non-prestigious parts of my home state, all the way back to Norfolk, not quite to the Atlantic, but right there at Ocean View Avenue, where the Chesapeake Bay serves as a poor man’s Atlantic Ocean anyways. I’d actually love to do that trip, slow as molasses, to allow the deep vibrations of all that remains, despite us calling much of it abandoned. It’s never abandoned, so much as what’s left behind ain’t what the people in charge believe is important. Fuck them.
When I play this song slowed down, those vibes start to buzz in unseen ways, like cicadas of the soul, and the Born to Lose Thunderfoot tattoo on my shoulder starts to throb, spreading into my chest, I guess where the heart would be since it leans that way a little in actual physiology. Humans ain’t ever been wholly symmetrical. But when I’m playing it in the right conditions, I get to throbbing in my Born to Lose heart zone, and I remember how much has been forgotten, in the name of keeping everything bright and shiny and new. And I remember how much all that old shit is way more important than whatever is being trended into my consciousness right now. There’s far more truth in dust than shine. That’s always been true.
Not far from there, first up Church Street, but later right around the corner on Granby, Frank Guida operated a booming record store, specializing in all music. A Sicilian who grew up in The Bronx, he had history singing in Harlem night clubs before coming to Norfolk, so he was an avid supporter of jazz and R&B music, and in fact, got involved in the music scene, and helped grow what would become known as the Norfolk Sound. Primary creative force behind that sound was Lenis Guess, who started his own label and began promoting and managing his own work as well as others. He had his hand in a bunch of great music, either as songwriter, performer, or recording engineer. Eventually, he moved to New York City, as most folks building scenes “off the beaten path” are tempted to do, trying to find the fame they seek in life. But Guess never got the props he should’ve gotten. A couple retrospectives have come out in recent years, including a 45 box set called The Norfolk Sound, put out Soul Jazz Records in the U.K. This is not from that box set, but an independent single, seemingly released as part of Guida’s label Legrand Records, back around 2000. The copy I got (can’t remember where, but it was in physical person, and I remember being stoked as fuck to find it) had plenty of scribbles, with some Xes on the B-side, “Some Woman’s Bedroom” with a note saying to not play on the air. That made me think it was older than it likely was, but who knows? Who the fuck knows? Lenis Guess passed away in 2021.
U.S. highway 460 begins down in Norfolk, and these downtown spaces used to be the eastern terminus of this formerly major highway, long before the interstate system was built. I know much of 460 well, to this day, from The 757, up through where I grew up Southside Virginia, with a bunch of my family including my dad and grandparents buried in a cemetery right along it near Rice. And I’ve driven that road slowly but happily avoiding the interstates, down to Roanoke and Southwest Virginia, on into West Virginia, many many times over recent decades. 460 still goes all the way to Kentucky, almost to Indiana, and before a 1976 decommissioning, used to go through the crazy spaces of southern Indiana and Illinois, all the way to East St. Louis, before terminating at the Mississippi River.
Conceivably, you could still piece together that path, from the Mississippi at East St. Louis, looking across at the Arch from the casino they built that’s supposed to resurrect that particular dying space (but hasn’t yet). And you could plod your way along these forgotten and abandoned paths, all the way through the southern Midwest (a strange place, for sure… the land of death matches), on through the heart of Appalachia, into Virginia, through all the less glamorous and non-prestigious parts of my home state, all the way back to Norfolk, not quite to the Atlantic, but right there at Ocean View Avenue, where the Chesapeake Bay serves as a poor man’s Atlantic Ocean anyways. I’d actually love to do that trip, slow as molasses, to allow the deep vibrations of all that remains, despite us calling much of it abandoned. It’s never abandoned, so much as what’s left behind ain’t what the people in charge believe is important. Fuck them.
When I play this song slowed down, those vibes start to buzz in unseen ways, like cicadas of the soul, and the Born to Lose Thunderfoot tattoo on my shoulder starts to throb, spreading into my chest, I guess where the heart would be since it leans that way a little in actual physiology. Humans ain’t ever been wholly symmetrical. But when I’m playing it in the right conditions, I get to throbbing in my Born to Lose heart zone, and I remember how much has been forgotten, in the name of keeping everything bright and shiny and new. And I remember how much all that old shit is way more important than whatever is being trended into my consciousness right now. There’s far more truth in dust than shine. That’s always been true.

