RAVEN MACK is a mystic poet-philosopher-artist of the Greater Appalachian unorthodox tradition. He does have an amazing PATREON, but also *normal* ARTIST WEBSITE too.

Monday, December 24

SONG OF THE DAY: Shooter


It is Christmas Eve and if you are in a western capitalist nation, you are either hunkered down near home having maxed out all your possible spending already, or you are navigating the mad rushes of last minute shoppers clogging the asphalt arteries which are Amerikkka’s heart. Somehow this is connected to Christianity. And I lost my tasbih somewhere the other day. I am going to see how deep into the woods it might be.

SPORTSBALL 69: Winter 2018



I’m resurrecting trash culture anthropology through the filter of the world’s football, with plans to do so according to solstice/equinox schedule, but I’m doing so through my patreon, because I’m attempting to move to analog zines again, or doing longer winded projects on my patreon. I’m making this first of 3 installments of this Winter 2018 Sportsball 69 free to all, because information wants to be free, but the second and third installments the coming two weeks will be patrons only, because electric bills want to be paid. It is your choice to support or not. I realize we live in a time where we’ve been trained to look at social media and click a like button instead of actually clicking a link, and I’m as guilty of that as anyone, but if you spend $20 a month on coffee, or alcohol, consider spending $1 a month on me. I’m better for you.

Sunday, December 23

Saturday, December 22

Friday, December 21

SONG OF THE DAY: Across the Lines


It’s fucked up how all this old ass music that was resistance to Reagan era bullshit is so appropriate now. Globalism/Clinton/Bush regimes combined with fall of Soviet Union got us (Amerikkkans) all feeling like eternal growth was actually some sustainable bullshit, and we could just refinance away our worries forever. Now look at us… all the cards about to fall the fuck down, every bubble floating higher than ever sitting there with the solstice full moon shining through its thin ass veneer, about to burst. And of course all this music that’s like 30 fucking years old is suddenly more appropriate than it even was back when it was made. What the fuck is wrong with people? Why do we love to ignore the truth in consumption of useless shit? Oh yeah, that’s a neurological reaction to try and escape painful or difficult things. Capitalism and all its fucked upness is entirely based on neurological triggers, though it’s always been framed as psychological and rationalized as if you have a choice. The mass engineering of consciousness performed by both mainstream political parties in 2016, and continuously since then, utilizing digital algorithms and manipulation to cause people to make “choices” is the ultimate realization of that neurological yakubian trickery. That’s why the shit’s gonna fall apart. They been pushing too hard. But remember – milk crates, tarps, and machetes; milk crates, tarps, and machetes; milk crates, tarps, and machetes. And maybe some goats too.

TH4T BL4Z3 0R4NG3/L1M3 GR33N L1F3STYL3...

that blaze orange/lime green lifestyle -
the sixty-nine yin-yang of
rural existence crisis

Thursday, December 20

WH3R3 TH3 FVCK 4M 1 3V3N...

where the fuck am I even?
the wandering fool dances
close to the edge, forever

SONG OF THE DAY: Death Row


Freddie Gibbs is an underrated often overlooked MC, probably because he’s from the Midwest, and not even notable Midwest like Chicago itself but rundown shithole suburb of Chicago in Gary, Indiana. Also his rap name is Freddie Gibbs, which is regular as fuck sounding, like he’d be a Memphis wrestler from 1989. But even shitty Freddie Gibbs tracks are better than most MCs. And also, the album cover to Freddie is without a doubt the best rap album cover of 2018, and probably the past number of years. It’s weird how end of year listicles are always performative and try to cover all the bases, and I doubt anybody will touch on Freddie Gibbs because they’ll have to include IMPORTANT or SEMINAL pop cultural moments. And yet, if you go back to these listicle ten years from now, most of that stuff is pure trash. What survives the test of time? Album covers like this one, that’s what the fuck survives.

4VTH0R1T4R14N C0D3S...

authoritarian codes
resisted in regressive
environs full of shadows

Wednesday, December 19

4 R3TR34T F4R B3Y0ND MY...

a retreat far beyond my
creative class, pretending
I belong as exercise

SONG OF THE DAY: mY pR3R0G4T1V3 (45s on 33)


Survival is not always pretty, not always photoshop beautiful, not always a meme-worthy mantra that can be printed cheaply to be sold at an outlet store for great aunties to put up on their living room entryway wall. Survival often is navigating the human mine fields, explosions that took lovers and kin, friends and enemies, blew up the world around you multiple times over. Overdoses, over-reaching, over-doing, over the edge and/or top. And yet somehow, some survive through all that, go far past where others got left behind, even though the survivor might’ve gone harder and more stupidly through the mine fields. That’s the fucked up thing about the metaphysical mine fields of Amerikkkan culture – you got no idea what will keep you from getting exploded. You can carefully plot your course and be gone in an instant anyways. You can plough ahead like a drunken fullback, and make it to 69 years or nicer. There’s no explaining it.
Survivor’s guilt gets you, when you’re thinking while standing safely for a moment in the mine fields, maybe even off the worst part of the mine fields, able to be safe more often than not, wondering “why me?” and how come you didn’t get exploded while your people did. The RIP tattoos and picture altars on small thrift store wooden shelves to those who are gone but not forgotten. Why them and not us? How did I get to be here, greyed around the edges, puffed out from more life than others, slowing down, my transmission leaking fluid from the eyeballs unexplainably now and then, but still going? And why did the others not?
There’s no fucking explaining it. You survive. That’s all. Keep going, don’t think about it too hard or you’ll miss avoiding the next explosion.

Monday, December 17

1NT3RS3CT10NS W1TH N0WH3R3...

intersections with nowhere
feel perfect for nobodies
looking to escape notice

SONG OF THE DAY: Chillin' On the Westside


Was communifying with my eldest offspring the other day, and she textified to me “when will ppl chill and just let me live” and this struck me as pure gospel universal magnetic truth, with which I will likely stick and poke upon my leg around my ankle next week when I am off all week because work shuts down during the holidays whether we celebrate them or not, but who the fuck is gonna turn down being paid to stay home, not this dirtgod, so I’m gonna use my time wisely, sitting in my basement apartment, tattooing poorly “when will ppl chill and just let me live” around my leg, and it will likely look weird and oblong because it will be from my eye sight line of vision, much like my stretched out yin yang on my chest I did over two decades ago – a perfect circle to my eyeballs, but pulled tall in strange way to somebody not inside my mind’s eye.
This world remains full of so much manufactured and unnecessary drama, at global scale, at local scale, inside my own fucking home and car at times, and all I can think is WHEN WILL PPL CHILL AND JUST LET ME LIVE because this is always true. So I hope in this time of manufactured drama and socially engineered consumerism frenzy, you remember to chill, even if you are struggling beneath the weight of these burdens, and juggling multiple jobs which do not cover the even more multiplicitous debt, that you get those moments of chill, window down or door open or just walking, and the power of lounge washes over you, inside first then outward, and you feel some goddamn peace. This world is an asshole, and sometimes when overrun with asshole behaviors we want to counter that with our own worst nature, but I remind you that WHEN WILL PPL CHILL AND JUST LET US LIVE is a two-way street, and not even a binary two-way street but a giant circular roundabout with a thousand lanes and we can sit there and honk the fuck out of each other, smash fenders, angrily demand that our direction is entitled unto us, or we could chill the fuck out, make our way, and keep it loungin’.