RAVEN MACK is a mystic poet-philosopher-artist of the Greater Appalachian unorthodox tradition. He does have an amazing PATREON, but also *normal* ARTIST WEBSITE too.
Much love to all genres and songs that defy the
3-minute rule, an antiquated relic of radio airplay rules. Fuck the music
industry. Fuck everything actually. Anything that becomes an industry has
embraced listening to some asshole explain shit in a fucked up way that goes
against whatever inspirational nonsense caused the thing to exist in the first
place. Death to all industries.
Malcolm X just had a birthday… well obviously he
didn’t have it, because he was assassinated a long time back, and I often think
about how one of America’s greatest most recent philosopher/thinker/activists
was taken from us. He was only 39 at the time of his shooting, and had experienced
such rapid political and philosophical growth in his adult years. His
pilgrimage to Mecca and visit to Africa had been a pretty impactful period on
expanding his outlook as well, and that had only happened in the year before
his death. It’s also noteworthy because African nations had just begun to gain
independence from colonial rule in that same decade. His influence likely would
have extended well beyond just African-American culture, or even just African
diasporic culture. It all seems so relevant too because we’ve got the same
fucking bullshit going on in America, like we’ve been stuck in this cultural
quagmire we can’t escape because nobody’s tried to actually fix any of it. The
oft-quoted clip from Malcolm talks about healing, and how healing involves
pulling the knife out of someone’s back, and letting them heal the wound, when
America hasn’t even acknowledged it put the knife in people, nor pulled it out.
But also always relevant to the discussion of
Malcolm, and his assassination, is the divisive techniques of the powerful.
That famous pic of Malcolm peeping out the window holding an M1 was done not in
reference to the FBI or CIA, but the threat on his life that was presented by
Elijah Muhammad and the Nation of Islam. Part of Louis Farrakhan’s ascent to
power was built off his dedicated resistance to Malcolm. Of course there was
quite a bit of collusion between intelligence agencies and police groups back
then to fuck up black activists, but if you go pulling the threads of FBI
involvement in the Nation of Islam/Malcolm X feud, and even sort of distant
preservation of the Nation of Islam, shit gets murky (as all conspiracies do).
Mostly though, I just lament the fact I re-read
Malcolm X speeches or essays fairly regularly, most of which composed during
the last decade or so of his life. And he never even made 40. Imagining what he
could’ve accomplished had he been allowed to continue to grow and develop is a
depressing stream of thought. Lots of times, in our American-centric
perspective, we tend to lump Malcolm and Martin Luther King Jr. together, but I
think about Malcolm with Patrice Lumumba, the brilliant Congolese
pan-Africanist, who also was assassinated in 1961. Both these men were not just
activists visibly resisting world systems in place, but they were people who
had shown rapid growth as thinkers, both of which cut short before they made
40. And definitely relevant as we get into the last stretch of a Presidential
Election where two bumbling old ass white dudes compete to not fuck up the
worst and become the alleged leader of the alleged free world for another four
years, or more. Lolol, anybody who thinks this world system that’s still in
place is a good and beneficial one is a goddamn fool.
Anyways, check out this track by Marcel P. Black,
conscious Baton Rouge rapper. Sometimes I forget to attach the prose to the
song, but figured I’d better today, because Marcel’s a good dude, and he’s got a bandcamp, so you can support dude directly, which is important since nobody
can tour or do shows currently.
There’s a few nice spots I’ve found or people have shared with me that are perfect monasteries of late capitalist decline – mixtures of industrial decline, graffiti, and survival-based existence where the houseless find homes where society’s all-knowing all-judging eyes leave them the fuck alone. I try not to share these spaces with too many people, especially not online. Sharing shit online is essentially snitching, maybe not automatically to the police but definitely to people who don’t understand or respect the codes of illegal or barely legal existence. Just because places exist like this, and people go there, doesn’t mean you automatically should.
I think about this a lot with regards to the internet, how all this information is just right there for anyone to have a superficial knowledge about everything on earth (that’s been exposed to the internet). There’s no guidance, no teacher to say, “Well yes, it’s an old factory that’s been abandoned for decades, but some people are living in there too so don’t just roll up in there loud as fuck, breaking bottles and shit.”
Quarantine times have shown that electronic escapes don’t satisfy the same physiological urges that physical escapes do. I’ve been trying to walk more, like two hundred miles a day, and had posted a bunch of haiku to an Instagram story one time, but it drained the battery on my shitty old iPhone, and it died halfway through so that I had to finish it when I got home, which was kind of stupid. So I’ve been carrying notecards in my pocket instead, and making stories of tanka that way. The battery never dies. It has reminded me that electronic escapes are not necessarily escapes but re-routes where we are avoiding the path we probably should’ve been taking in the first place.
It’s such a blessing on a long ass meandering pilgrimage somewhere or another to stumble upon some sort of abandoned place that you didn’t know about, that nobody told you about, enter it, and get to know it. Every place has these fucked up accumulations of experience that stain it, positively and negatively. I was in one recently, in pretty good shape actually, and there were these weird prayer art things in one section, normal graffiti in other, and I went to a back corner of one outbuilding in this complex and left a couple dirtgod haiku scribbles as well. These have become my favorite poems I write, scattered out in the world, maybe not seen by anybody ever, or only seen by a few humans who could give a shit less. I wrestle at times with whether or not I’m a “real” poet or “real” artist or writer. I got a poem published earlier this year, even though I’m horrible at trying to publish anything, basically because a co-conspirator of the illegitimate artz specifically requested I send something. So I did. It was cool, I guess, to send out links on various social medias about “hey I got a poem published” and a bunch of people I don’t really know clicked little hearts to acknowledge they saw the post, most of them likely without even clicking the link to see the actual poem. I know without a doubt that even if it’s only nine people over the next two years, every person who sees those dirtgod haiku scribbles in that far corner of the forge outbuilding in the abandoned factory complex, each one of them will actually see that haiku. Without a doubt. No having to follow links to other spaces, or tapping a symbol to give me false data suggesting there’s a higher likelihood they saw it. Every person who goes in that room will actually have seen it. That’s way more real, whether I can know it happened or not. In fact, despite human’s consisted insistence we still have scientific dominion over the Earth, I’d say people can never know what’s ultimately real. Life gets a whole lot easier when you accept that shit.
Humans are highly melodramatic animals, bless-cursed with synapses sparks that suggest there is purpose to existence beyond simply existing. Because of this, humans will lament the smashing together of their broken systems, which have long been failing them in any deep or meaningful sense, and indulge worried proclamations of end times, which are not even true callings of an observed event on the horizon, but just the cries of child creatures hoping to scare away their own fears in the dark of what they cannot comprehend. These are not human systems of existence breaking apart, but human systems of comfort, which not everybody even has anyways. American prosperity got a better view of the world by stepping a jackboot on the throat of the global South, which has continued to this day. Anti-everything activists make their social media calls to arms and plot their secretive signal conspiracies on handheld computers full of conflict minerals, exploited labor, and innate material privilege. Nothing is ending. The something you think needs fixing never existed in the first place, beyond the schoolbook lessons sown into your young fertile minds anywhere on the planet from the most tender and pliable age.
I have helped procreate three children, the oldest of which I remember wondering if it as appropriate or not to watch George Bush the Younger give televised justifications for wars on the global South after Hulk Hogan kicked over the towers on 9/11, when he joined the New World Order for good (but bad), while they were just a toddler. Back then, they were she, because pronouns were binary and we hadn’t all been distracted by a google of digital streams to confuse our own innate stream of consciousness. The younger two of my offspring have lived in a confusing and unsettling time. A thing I always tell them (once they are old enough to handle this, and I don’t think I’ve said it to the youngest yet, who is only 12 still) is that even if we have population cataclysm, and 80% of humans die off in a decade, that’s still a billion people on this planet. People will keep walking into the future, stubbornly, and piecing together new shelter from the rubble, and slowly rebuilding that shelter into something comfortable, and repeating the same settled patterns humans have done ever since they stopped wandering and planted corn in abnormal rows.
“Why not you?” I ask my children, because fuck it, somebody has to live through tomorrow. I’ll do my best to trudge into as much future as I can, but my knees and ankles ache more than they used to, and if it’s too cold and damp, I get a limp to my right hip a little bit, like god has slapped a metaphysical ankle monitor on me to keep me from running away too far too fast. That’s how age does. But fuck it, I can stubbornly walk more miles than most hominid creatures half my age too tethered to rapidly deteriorating notions of home, which are starting to have those diminishing returns of empire’s that are still trying to ride the ripples of splashes from previous eras. The names given to the land I live on might change – no government is eternal, and fuck it, I might even have a handful of aliases to go by myself, depending on the circumstance, but the end ain’t fucking here yet. Not today, not in November, not in the next decade, never. Time is bullshit – just those same ripples of empire trying to force order and productivity and industrial mindset onto once natural human beings. Even if I die, it’s not the end, so fuck it… I’m gonna keep walking.
One of the all-time greatest ad-libs on a hip hop track is Ghost saying “word up mommy, I love you” at the end of this song. That shit always kills me. I love, when talking to unsuspecting bougie crowds at one of my haiku slams, to say, “I think the greatest living American poet is Dennis Coles. Have any of you seen Dennis Coles’ work?” And mostly people will be like, “wtf?” for a second and I’ll go, “He publishes poetry under the pseudonym Ghostface Killah,” and then they laugh, because they think I’m joking, BUT I’M NOT FUCKING JOKING GODDAMMIT.
Haven’t been writing as much good quality nonsense gibberish lately because, well, these are strange and terrible times and I have been overcome with dark thoughts of doom. Not fun doom, like walking along train tracks in the moonlight and scribbling barely clever phrases in oil bar, but boring doom, like falling asleep on your secondhand ikea futon in a basement apartment while halfway paying attention to Justified, because you felt like streaming something for a few days, to feel some sense of accomplishment, and you figured fuck it, you’d try this bullshit rural noir show again. I mean how strange and terrible a time is that? I’m willingly watching Justified, and pretending it’s not crap. You know how much of my actual life experience I have to suspend to engage in even that much tolerance? And it’s all so predictable.
This is what I hate about this current era of doom, this technological dystopia we currently find ourselves in, with fascism openly taking the reins of all institutions to usher in a bold new era of Freedom™ brand freedom where you either pull out that MasterCard debit for liberty at the most free chain stores possible, or you can fuck right off… It’s all just so boring, and there’s no torchlit wrestling fights to the death with Ox Baker or giant cockroaches or really great modified late model cars that shoot fireworks everywhere. It’s just laying around on secondhand futons streaming dumb shit waiting to get evicted from your job and rented home by debt collectors eventually as the pyramid scam cuts you off too, and then live underneath a tarp by the creek hoping all you panhandle is dollar bills and not death.
I am trying to channel my mundane doomed feelings into body improvements though. I pulled out the old stick and poke rig to put BORN TOO LOOSE on my leg last night. It’s the little victories that help us survive these dark times.