RAVEN MACK is a mystic poet-philosopher-artist of the Greater Appalachian unorthodox tradition. He does have an amazing PATREON, but also *normal* ARTIST WEBSITE too.

Thursday, April 2

SONG OF THE DAY: Wagamama


I swear by getting a flu shot every year, because (knock on wood) I hadn’t gotten the flu in a long while. Even when it’s running through those around me, I seem to come out okay. I do miss the side effects though, like laying on the couch feeling like shit and watching Blood In Blood Out and Mi Vida Loca back-to-back off the youtube bootlegs. I ain’t done that in years now. Don’t get me wrong, I still lay around fuckin’ off on the couch a lot. But it’s just not the same as feeling half-paralyzed with nauseous all-body disgustingness, and just laying there as a long ass movie plays all the way out, without a break or looking at anything else. And then the next movie just comes on and you keep going, laying there, hoping you don’t have to vomit in the little plastic trash can with the triple layer of two Food Lion plastic bags (the blue cold items ones) inside of an outer layer yellow Dollar General bag. When I was a kid, my mom used to give us the big spaghetti pot to vomit in, which always seemed fucked up to me. I’d be sick and shit thinking, “Damn, she’s gonna make spaghetti in this fuckin’ thing next week.”
Anyways, this world is sick as hell. Vaccinate yourself with a little bit of love. Although scientifically speaking, if the world was sick because it’s full of hate, true vaccination principles would mean you have a tiny bit of hate to get it out of your system and build the proper antibodies, but I don’t think hate and love work like that. But what do I know? I’m just some guy who ain’t had the flu in a while.

Wednesday, April 1

SONG OF THE DAY: Rock 'n Roll Mouzone (kudzu'd)


The ancient Greek avatar wearing mirrored sunglasses Western Man of the post-post-modern extremely online variety hates with great haterism a belly on a woman. Obviously, this makes no sensible sense, is not practical with the sucracide glyphosate foods we have at the store (no maha), and just ain't what a Real Man would think. The extremely online Western Man is not Real though, just an algorithmic conscious set of 0s and 1s ragebaiting serotonin for so long that they actually start to believe their gimmick. Personally, I love a belly, and love when a woman not only doesn't give a fuck about it but shakes that thang (said in Hasil Adkins voice, FYI). My people come from the mountains, so curves are appreciated, and in fact make us wanna holler (the good way). So eat a dick, Western Man. You'll feel better.

Monday, March 30

SONG OF THE DAY: The Duke Ya Love To Hate (kudzu'd)


Ain't no doubt about it, we live in a world full of haters. And I like to keep thinking that the power of love and lounge will eventually win out, of stubborn heart, I gotta admit I have my doubts sometimes. Seems like the haters got so abundant that now we got reactionary haters of haters who don't even realize they're perpetuating the bullshit by accidental reflection while thinking they're fighting the good fight. But win and lose is not a binary; it's a spectrum. And even though all us who was born to lose might look like we're lost, we can still thrive in the shadows. The spotlight only shines on us if it thinks there's something worthwhile to apprehend. So even though I practice "fuck the haters" in my daily meditations of mind body and whole ass existence, I don't let 'em know, because I ain't getting tricked into getting stuck in their psychic tar.

Friday, March 27

SONG OF THE DAY: Black Hole Bop (kudzu'd)


There is a meticulous form of avoiding doing something that is involved in digging through two baskets of unfolded clean laundry, to specifically find a certain colored pair of socks, of which the first one comes easy, but the second is a stubborn trick from the Universe, and you sort through sheets and towels and track pants and shirts and a thousand other socks that easily pair themselves but in the wrong perfect color for today, as a test to your ability to avoid folding the goddamned clothes that have been accumulating here in the living room in your last two laundry baskets for the past couple weeks. The first time through is a rough sort, because you know the sediments, and which layer of load the sock should be in. But it hides, and the initial search turns into a more meticulous second search, where everything is piled into one basket and moved haphazardly into the second, on top of that little pile of clothes you actually have folded but not put away. But it still doesn’t show up, and you contemplate just wearing a different pair of socks, except you’re already wearing a garishly orange t-shirt, and your garishly orange socks are really the only correct choice here. So you go back in for a third deep dive, touching each piece of clean laundry, which at this point is already accumulating a stray animal hair or two, and testing the definition of “clean” before it even got folded and put away. Not only do you touch each piece, but you shake it, to make sure the perfect missing sock is not tucked into a crevice of sheet or ankle zipper of track pant. And still nothing. But just as you are about to give up, there it is, a sliver of blaze orange salvation, which you tug, and surprisingly this time is not the same Adidas GK top you thought might be the sock 17 times before, but is the actual sock. So you are finally set, and you promise the piles of laundry you have neglected, which serves you so well, and makes you appear fresh when out in public even though they know the secrets of your dilapidated raggediness you hide within your home, so you promise those piles of laundry you will fold them tomorrow, in nice ordered stacks, and return them to their beds in your dresser drawers and closets. But secretly you are also thinking about going for a drive tomorrow and taking pictures of the half-abandoned downtown storefronts of nearby towns, since it’s going to be a beautiful day. That would be pretty fucked up though. So I hope you get up early enough to give the unfolded laundry its due.

Thursday, March 26

SONG OF THE DAY: Feel Like Makin' Love (kudzu'd)


I don’t know how highly you think of Roberta Flack, but no matter what it is, she’s still underrated. Born in the mountains of North Carolina, steeped in life in Virginia and North Carolina, and yet another graduate of Howard University (the Harvard of Black Folks). When the Fugees used that one sample, she gained some fresh notoriety, but it still ain’t enough. Black Mountain now has a mural of her up, and I wanna go see it. I love the Thelonious Monk one in Rocky Mount… like I think about downtown Rocky Mount and that mural and the old furniture store and the trains coming and going in that big CSX yard and the wonderful pile of bricks from a torn down building my one kid used to always make us go see. I hope Black Mountain is all fucked up (in the good ways) like that, too.

Tuesday, March 24

SONG OF THE DAY: Jezebel of the Morning (kudzu'd)


Rail industry has been dying out in a lot of places for decades, as the major railroads bought each other up and phased out the short lines because everybody uses diesel trucking now (which, by the way, has seen fuel costs skyrocket the past month). And most all these old small towns have their old train depot, many of them renovated or turned into some other shit.
But what you don’t hear as much about is the bus industry dying out, or barely holding on, and all those immaculate beautiful old bus stations that got built in the shift to driving after the interstate highway system got built, they’re all shutting down. The one in Charlottesville has been closed down for years, with the Greyhound just picking people up at a street stop instead – no ticketing window, no staff, nobody to pay cash for a ticket to go on the run from life all of a sudden. We were just in Huntington, West Virginia, which has a beautiful old bus station, with the Greyhound signage still, and it’s used as a local public bus system depot now, so it’s surviving.
And I don’t really care about keeping capitalism alive or anything like that. But we did used to make travel in group ways more of an acceptable thing, and decorated it with these nice depots and stations that were additions to the architectural landscape. One thing I hate about America (which is actually two things) is that we don’t re-use spaces all that easily, and we also get so hung up on the prospective value of real estate that shit will just sit there going to waste rather than being opened up to some sort of functional use for the community it’s located within. I hear these white ass motherfuckers talking about “third spaces” all the time, which is kinda pretentious because it assumes you have a stable first (home) and second (job) already. But the owner class just sits on these things forever. There’s an abandoned back roads grocery store a few miles from me, and I’d love to be occupying that thing with some sort of chaos art market. Shit man, I’d even lie to myself that I could swing the rent for a minute if they made it cheap enough. But nah, it’s just sitting there, rotting back into the ground, because they “know what they’ve got”, and they’re seeing the abstract potential value instead of any actual use.
Last time I rode the Greyhound, it was from Los Angeles to New Orleans, and by the time I got to New Orleans, I told myself “never again”. But that was long enough ago, it sorta feels like a good idea to take the bus from here to 17 states away, down, over, then back again. I love having a trickster brain that even wants to self-trickster.

Monday, March 23

SONG OF THE DAY: Lookin' for a Home (kudzu'd)


This was the title of my last book of haiku, because I love this song so much, and was listening to it a lot as my life rearranged itself after a couple of decades of a previous order. I was lost for a minute, even to the point of dissociating more than I’ve ever let everyone know, and I’d be driving to Richmond where I was sleeping with a woman at the time, who was helping me feel again, and this song would be blasting on my stereo, I think a sunroof Civic I inherited from a homie for free at the time, and I was lost and drifting, through both physical and astral planes, and damn, it hit so deep. Even slowed, it remains a great track. Be sure to check out both my old and new haiku books, because it’s good shit, and was how I charted my way through the lost times. I’m still lost, just in a different place than I used to be. I feel like I’m getting somewhere, but nobody really knows, do they?

Tuesday, March 17

SONG OF THE DAY: Touch of Grey


I will get by… I will survive.
I know it’s considered hipster canon to hate on The Dead, but they had plenty of bangers. The major problem with The Dead is if you let people know you actually enjoy them, some dude will talk your goddamn ear off about it, every chance he gets. I miss the pre-internet obsessives, who would just randomly be like, “Oh yeah, I have over 300 shows on tape. Hold up, let me go grab my favorite three!” because you knew that dude was deep into his obsession, and had truly – through an ongoing and over-indulgent appreciation – gained insight that was worth hearing. But post-internet, folks can too easily gobble up that information from others and assume it as their own, then talk to my stuck on the same seat of a Greyhound bus ass for far too long. We’ve had artificial intelligence for as long as we’ve had a mainstream internet, to be honest.
By the way, if there are any wealthy beneficiaries out there, please bootleg RFK Stadium, June 14, 1991, and send me a copy. That was a particularly memorable event that I don’t really remember.

Monday, March 16

SONG OF THE DAY: The Model (kudzu'd)


My favorite genre of music now is traditional old-time sounds filtered through futuristic dystopian effects, like taking pills you don’t know what they are in a cavernous old tobacco warehouse in a dormant downtown, and the train horns blow by now and then, but it’s just intermodals these days, no stopping to pick up nary a passenger. This is mostly seen through cumbia, but I’d like to cultivate this sound using the old-time sounds of what they call mountain music, because that sound (as yet unheard) is way more authentic to our current living conditions than fake gangster landscaper rap. That’s where my mind is today, but I can’t make the sounds exist, and I’m having a hard time describing it to people who can.

Sunday, March 15

SONG OF THE DAY: Me Myself and I (kudzu'd)


My original copy of the 3 Feet High & Rising tape was a bootleg bought at a truck stop near Simplicity, Virginia. The cover was a color copy with no insert. I played the fuck outta that tape. Of course, being a truck stop bootleg, playing the fuck outta it didn’t necessarily take long.
Decades later, as the white kids who latched onto Native Tongues less scary entry point into hip hop have grown old and now operate vintage boutiques, I remain firmly committed to the bootleg lifestyle. Being authentic and having authenticated items are two entirely different lanes to walk along.

Saturday, March 14

SONG OF THE DAY: Funky Rubber Band (kudzu'd)


the automation of an artificial intelligence hopes to colonize the future by harvesting the entirety of what’s passed, but many important points got missed in the archiving of historical happenings because even in the moment, those that thought they knew was thinking with a brain poisoned by ego that had forgotten how heart has much deeper tendrils into what’s real.
and even with the digital reflections we presently endure, there is a distractionary result of attempting to understand what is around us by endlessly scrolling a small flat representation of reality operating upon an algorithm of doomsaying. it is the metaphorical rabbithole with which to get lost inside, losing track of where you’re actually at, and how there are birds still making strange noises, and amphibious souls being born in the murky margins that are always within earshot when hearing is attuned to the proper frequencies too low-pitched to hear over the cyber buzz.
thus one must make an effort to remain focused on not being wrongly focused, in the hopes of unfocusing into the blurred shared reality of all things, where one does not end where another begins, and the tendrils intertwine into the sublime realization that your little head full of explosions of thoughts is not the end-all be-all of the universe, but simply another fleck of stardust scattered unto existence. enjoy your blessed presence, and don’t get distracted into a future prison or too chained to pieces of what’s passed which you can’t remedy. embrace your presence, as it is, here and now.

Friday, March 13

SONG OF THE DAY: God's Goodness (kudzu'd)


My brain damaged congressman has joined some sort of reactionary “Sharia-Free America Caucus”. Little does he know (works alone as a statement, but there’s more) that Sharia Law is already recognized in the autonomous zones of the Blue Ridge Emirate. Every morel is a mosque. And there’s nothing they can do about it.

Thursday, March 12

SONG OF THE DAY: Sin Control (kudzu'd)


I like to draw all black old school flash art traditional tattoos on the thighs of the women in Namio Harukawa books. I keep hoping, with the long storied prison art tradition held up as a point of pride by the Chicano community, that we one day have some great imprisoned artist who discovers Harukawa’s work and is inspired by it. But they can’t even have real books in most prisons anymore. You just get a tablet with images on it, and it’s harder to contraband digital files. And I’m sure some punchable faced cyberlibertarian type would suggest I just become a Prompt Engineer and tell artificial intelligence to combine Teen Angels magazine style prison art with Harukawa’s work. But we (the real thinking artist types) know that artificial intelligence is flawed by nature, and it would just give us an anthropomorphic ’65 Impala squatting over the face of a cowboy. We have built a stupider, more expensive, and wasteful world, when all we really need to do is sit around and think up ridiculous shit, freely.

Tuesday, March 10

SONG OF THE DAY: Sassy Lady (kudzu'd)


We need more lore. We have higher manufactured drama bar graphs than ever before, but not nearly enough lore. Without an abundance of lore, how does the feral meritocracy of what folks love give us authentic folklore anymore? THERE MUST BE LORE. Lore gives a much more fulfilling mind chemical reaction than the dopamine of consumerism. So I’m going to go tell stories to the beech trees. Or birches. I never remember. But they never correct me if I call them the wrong thing. I don’t even think they speak English, to be honest. Their eyes look at me pretty funny when I’m talking to them.

Monday, March 9

SONG OF THE DAY: There's a Red-Neck in the Soul Band (kudzu'd)


I have a lot of semi-political thoughts that have fermented in my mind over the course of the past couple years, about “white boys” and “White Males” and the difference within the wretched specter of white supremacy, and how – ideally – it should be easier to get white boys to think beyond white supremacist bullshit (despite prison politics), because most white boys will never become a bona fide White Male (of Capital, thus capitalized). But now the culture wars have got all these suburban shitheads thinking it’s gangsta to call themselves “white boy” even though they were all born to be White Males and never once legit got called “white boy” in a non-white dominant environment. In fact, that’s one of the basic foundational aspects… you can’t be a “white boy” if all you know is White People. Anyways, I was briefly contemplating explaining all this to great depth for the navigational robots that scan my blog, but it’s a pretty nice day, and I played a lot of slowed down Latimore today, so I’m just gonna go to the river instead, and walk along the railroad tracks and pick up some spikes to spray paint. That’s what a white boy would do (which a White Male could never imagine wasting a few hours with.)

Park Bench Review: 40° 44' 57.4686", -74° 0' 13.5354"

This is an official dirtgod park bench review. Today I am reviewing a bench along High Line Park, at a little spur in the walking path right around where it crosses 25th Street. Above in title are the latitude/longitude coordinates. I choose to use the stars for navigation though.


IMMEDIATE LOUNGE-ABILITY: The High Line park was built from an old elevated rail spur that used to be the West Side Line of the NY Central Railroad. That was built in the mid 1800s, and served the Meatpacking District. Part of the West Side Line was redeveloped into expensive Riverside Park South high rise apartments by Donald Trump at the turn of the century. And most traffic on the actual rail line had died out by the late ‘70s anyways. The High Line viaduct part was kept working tracks, though abandoned and unused, for a good 30 years. CSX had ended up owning it, having taken over Conrail’s properties, so a group of big money New Yorkers decided to try and turn it into an elevated greenway.  Now let’s be perfectly clear… one of my favorite things is walking railroad tracks, anywhere in America. And I bet when this was an abandoned rail line, it was glorious to walk through the dilapidated city and feel the vibes floating up to the unused tracks. I imagine there was a long history of graffiti artists making their way more quickly through the city on this high line back in the day, and hitting spots that boggled the ground level human pigeons looking up. I also love parks, including city parks. But this is liminal space is neither old railroad tracks nor a proper urban park. This is a redevelopment scam, and it was obvious as soon as we made the mistake of going up to it. This was an artery for commercial redevelopment, and in fact, you barely could see the actual city beyond the masturbatory buildings that have gone up like deranged visions of cleverness along both sides of the High Line. In fact, once we were trapped on the fuckin’ thing, I told Dolly, “The next bench in sunshine we see, let’s sit down.” It took us a while to even find one, because these stupid fucking “more money than sense” buildings had been erected all over. And there was one art installation, I guess to justify it as an art park (which is what the lying ass internet wanted to pretend it was), but that one installation was fucking stupid looking. And, there was no vandalism anywhere, not even stickers, which you see everywhere in NYC. That means somebody has paid for staff to just keep this fuckin’ thing as sterile as possible. On top of this, the benches are those sad ass slots of wood that look like gentrification benches, but aren’t comfortable at all. The whole thing is a goddamn atrocity, and I look forward to an economic collapse that causes it all – the fancy buildings and walkway – to become abandoned, drug-addled, and a testament to human avarice, hopefully in my lifetime. Immediate Lounge-ability was a 1 (out of 23 possible).


RIPPLES OF AMBIANCE: One of the great beauties of New York City is that as you walk around, you are surrounded by flows of people, often speaking languages you don’t understand. But there is a cadence of lounge to those accents in many places, even if linguistically fast, there are the drawls and dashes of working people. That’s not the case on the High Line. It is all business, and the foreign languages that pass you by have long been scrubbed of the spices of hard labor, for generations likely, and it’s the smooth rapid overly confident speak of powerpointed people, who always have a purpose, and often have enough money to pretend they’ve never failed that purpose. Good lord this place was torturous for me. The only saving redemption at all was that where we sat upon a bench, at least in this spot, you could see the old rail tracks underneath the walkway, and a couple pigeons were grabbing twigs to build a nest. Without that, this would’ve been a 1 as well. Ripples of Ambiance was a 5 (out of 23 possible).


CULTURE OF BENCH: As mentioned before, there was no signs of vandalism. Thus, there were no signs of vagrancy either, which is just outlawed lounging. (When lounging is outlawed, then only outlaws will lounge.) What this means is that, as this part was built since 2009, there is no high quality lounging that has happened here. The benches are still as sterile as stainless steel in a Yakubian laboratory, which of course, with some bullshit ass architectural monstrosities from Mike Bloomberg’s brain at the northern end of this thing, it ultimately is. These benches are not for The People, and really, they’re only there to create the illusion of friendliness. Nobody is actually supposed to be sitting on these benches for any longer than it takes to move funds between their savings and checking accounts to go make some more purchases of things unattainable by most. And fittingly for a consumer-based existence, as is my problem with most of America’s most consumer-oriented notions of Americana, the “culture” is more a lack of culture than any actual culture. In retrospect, I wish I had attempted to set fire to the bench we sat on, so that no future loungers ever had their ass tarnished by its existence. Culture of Bench was a 1 (out of 23 possible).

IMMEDIATE LOUNGE-ABILITY: 1
RIPPLES OF AMBIANCE: 5
CULTURE OF BENCH: 1

TOTAL SCORE: 7 (out of possible 69). If I ever find a worse bench to review, I hope I pass it by without stopping. Too many more experiences like this and I’ll be forced to form some sort of terrorist organization dedicated to enforcing The Power of Lounge through homemade IEDs.

Thursday, March 5

Park Bench Review: 40° 44' 7.8792", -73° 59' 27.2904"

This is an official dirtgod park bench review. I did this a few years back, but only did one park bench in Charlottesville (which was pretty loungin’). I realized a man shouldn’t have LOUNGIN’ tattooed on his belly if he’s not dedicating his life at least partially to cultivating the pursuit of lounge So we’re going back to this. Above in title are the latitude/longitude coordinates. I choose to use the stars for navigation though.


IMMEDIATE LOUNGE-ABILITY: Spent a few days in the Lower East Side of Manhattan, NYC, last week, with my ol’ lady, and we are the types who do a lot of walking, a lot of vibing, and very little Official Sight Seeing. We both tend to prefer the randomized sights of chance wandering to Must See Destinations. Though we did purposefully begin our wander this one day (can’t even remember which day) going over to Freeman Alley. From there we ended up going roughly northwest up Bowery eventually getting on Broadway, for further escapades higher. I think my girlfriend went to get a fancy cup of coffee or something, I can’t really remember why we separated this particular time, but I lounged in Union Square Park, behind the George Washington Statue, with my back to all the damn dogs in the dog run. As we walked into the park, a dude in bright orange outfit was shadowboxing with pigeons, and moving with the smooth erratic style of a guy with mystical musics inside his mind at all times. The tinges of oppression of city dog-havers behind my back was slight affect on this one, but mystical pigeon shadowboxing plus standard city park people chillin’ while getting casually blunted held the score up. Immediate Lounge-ability was a 18 (out of 23 possible).


RIPPLES OF AMBIANCE: I’m just a simple country boy from Schuyler, Virginia, so all the bustle and hustle and grind and nevermind of the city, seemingly, is a lot. But in actuality, a lot of city types who lounge in public are pretty much the same cut of cloth as country loungers sitting in their yard. Don’t get me wrong; there are hella worried ass city dwellers nosey about who that stranger might be walking past too slowly, just as there are country folks peeking through the curtains worried about them brown people that moved down the road a half mile away. There was plenty of chill going on. Plus the Farmer’s Market was happening, and the stuff there was remarkably good looking and affordable. Like, lolol, how the fuck is a farmer’s market in the middle of New York City cheaper than the shit in Charlottesville? I didn’t see all that until my ol’ lady came back to me and we left the park heading further upwards, but the ripples of ambiance don’t follow chronological linear thought. I guess at one point my oldest kid had dreamed about doing grad school at The New School, and I saw a building for it right there. There was honking, and reggaeton sneaking out of bluetooths, and general beautiful chaos. But also there was still snow on the ground. Ripples of Ambiance was a 16 (out of 23 possible).


CULTURE OF BENCH: One could not possibly quantify the culture of bench in a place like this. I would imagine the actual physical bench I sat upon hadn’t been there forever, but surely, it’d been in that spot for years. But beyond that, people had sat in this park for over a century, through waves of economic revitalization and decline, nearby mansions converted to tenements then back to expensive townhouses. Lords of industry chilled in this park, as did broke ass immigrants who never once had an English thought. So many people skipping out of work on a pretty day, or meeting a romantic interest for a cheap date. One thing I really love is old spaces that are not redone entirely, but slowly absorb the sediments of time, so that the human energy that has been expended there soaks into the environment as well. In America, we are way too apt to tear shit down and rebuilt something new, which is disrespectful to all that came before us. Sitting in a place in the middle of Manhattan like that, your mind can really wander with the depths and varieties of humanity that had scattered thoughts in that same spot. Culture of Bench was a 23 (out of 23 possible).

IMMEDIATE LOUNGE-ABILITY: 18
RIPPLES OF AMBIANCE: 16
CULTURE OF BENCH: 23
TOTAL SCORE: 57 (out of possible 69). Well, this is technically only the second time I’ve gone through a full official park bench review write-up, so that’s the new high watermark. I hope to go sit there again someday.

SONG OF THE DAY: Terminator (kudzu'd)


The Original Terminator. Man, I love this era of West Coast Electrofunk so hard. I got to see Egyptian Lover the other week, and what a blast that was. We need more “just have fun” shit in this world.

Wednesday, March 4

SONG OF THE DAY: Bumpin' (kudzu'd)


I try not to ever hit animals when driving, not even squirrels being all glitchy, not quite clear on which direction they’re gonna dash. It ain’t their fault somebody built a road smack dab through the middle of where they live naturally. I used to think this was a strange affliction that humans have put upon deer and squirrels and other critters habitattooing their lives near our roads of expediency. But then I’m now experiencing it, too, as the Upper Humans have paved artificial intelligence responses into everything. I look something up online, and I have to navigate around artificial intelligence; same thing when I type an email or go to a work meeting in Zoom. There’s artificial intelligence bullshit in all of it now, and I kinda zig zag zig, not sure how to negate it, not sure if I’m even allowed (terms and conditions). But it’s everywhere now, and I don’t need it, want it, or see the point.
But everywhere across the state I live in, localities are shitting themselves trying to turn empty industrial parks in warehouse data centers, hooking ‘em up via extension cords, which somehow means the meter on the outside my house is now spinning itself twice as fast, because in the process of localities shitting themselves, they promise those warehouses beneficial rates which are then spread across the rest of us who are actually seemingly real and human and not just a vague idea pattern machine that sucks up energy worse than growing weed in an aluminum foil trailer in 1994. All this is to say, I am currently zig zag zigging, trying to get out the way, but I don’t know which direction to go, and maybe I already got crushed. Not sure. Do I still exist? Am I real? Am I just a hallucination of slop? Subhanallah subhanallah subhanallah…

Tuesday, March 3

SONG OF THE DAY: Two of Hearts (kudzu'd)


Updated songs about cards from standard deck rankings: This has moved into the number one spot, moving John Lee Hooker’s version of “Jack of Diamonds” down to number two, and I guess Blind Lemon Jefferson’s version is number two-b, because it doesn’t make sense for it to take up more than one spot since it’s one song. And I guess Motorhead’s “Ace of Spades” holds onto third, though I’ve never really been able to come to terms with Lemmy’s racism, though I don’t really have to. I’m tempted sometimes to arbitrarily put Juice Newton’s “Queen of Hearts” ahead of “Ace of Spades”, but that’s not realistic, even if I was playing the 45 slowed. And this is just keeping it to titles as standard playing cards, because “Mr. Mudd and Mr. Gold” by Townes Van Zandt would be top dog if I went with cards as theme instead. And I’d probably include “Loser” by Grateful Dead, just because I love that song a whole lot (highly relatable). But keeping it limited, that’s the rankings, and slowed down “Two of Hearts” is untouchable. There’s a lot of distance between number one and number two. And it’s a great choice. Ace of Spades is obvious, like that’s almost a cliché pick for a song. Of course, cliches come from consensus thinking, so that likely also explains the racism. It’s easy to forget that despite everything, human culture has mostly propped up basic shit forever. The people love basic. They worship it. If you can make some basic ass shit, that just barely has a touch of “haha, I’m a tiny pinch of quirkiness applied to basic”, then you’ll be wildly successful. Beyond belief successful. Anyways, I hate earthlings.

NEW BOOK RELEASE: Just Another Mark


It’s been about a month since I released my new book of haiku, called Just Another Mark. These are selections culled from writing five haiku a day over the course of an entire year. It’s a pretty great collection, of haiku written from both a natural and chaotic perspective, along the edge of the Blue Ridge mountains. There are three ways you can get it:
NUMBER ONE – Go to MY WEB SHOP and get a signed copy directly from me. I’ve got other books there, as well as art and zines and all sorts of stuff.
NUMBER TWO – Go to your favorite local independent bookstore, and get them to order it. It is set up through proper distribution channels so that indy stores can acquire it directly for you. You can also use bookshop.org.
NUMBER THREE – Go to Amazon, the evil place, and get it there.



Monday, March 2

SONG OF THE DAY: Shakedown Street (kudzu'd)


I have a stick and poke tattoo that says SHAKEDOWN STREET, in honor of the two time I set up vintage markets, called Shakedown Street, in three different places (for obvious reasons), simply as a means to robbing the asshole vendors. Vintage markets are so punk rock (derogatory). Good signs of the asshole types are they have $250 wrestling t-shirts (“because I can get that price”) or they actually say “unique colorway” out loud, or their vintage style overtakes actually matching your shit (like they’ll have powder blue Jordans with black jeans and a green Nascar shirt or some shit). We’ve somehow made culture vulture a consumer identity and respectable small business option. That’s why I don’t regret the vendors I robbed at knifepoint, with my classic USMC issue Ka-bar blade. Fuck them. Too good for bad tattoos, but not too good to mark-up some shit they found at a small town Christian thrift store by 1000%.

Thursday, February 26

SONG OF THE DAY: Duke of Earl (kudzu'd)


Sometimes I dream of having some sort of public space that I could just spin slowed oldies like this, one Sunday afternoon a month, and there be a big ass cookout going on at the same time, maybe fry up some fish, and just create a vibe. Then I also think I need some sort of mobile sound system, with lasers and DIRTGOD in bright garish letters that cause the hard of seeing to cover their eyes. But there’s nobody to show me how to cobble this together, and most of those I encounter, like me, seem more channeled into finding things to buy to create this type of thing rather than build it from junk. And if you “google” anything at this point, you get sponsored results, even when you don’t. So maybe I should just take my battery powered speaker and battery powered mini turntable set-up, and just go play these oldies slow for the frogs in the big pit of the old canal along the river where the railroad yard is near Bremo, by the 69th mile marker. That’s where I’ll go when I’m dead and gone and my life has been archived in ash, so it makes sense to glorify the spot now, and get the amphibians hype enough to grow legs and jump up out the water and walk on mud.

Wednesday, February 25

SONG OF THE DAY: La Danza de Los Tigres (kudzu'd)


I went to Bread and Puppet Festival back in 1994 (I think), not knowing a thing about it. I’d quit my summer job because a dude I’d met once on a porch of some friends was going to Maine to rake blueberries, and wanted somebody to go with. So I went. Bread and Puppet was something he wanted to see one weekend while we were up there, and getting to upstate Vermont from east coast Maine, one Friday evening, with me and three other stank ass young hippie/loser/dropout/nomads stuffed into this dude’s tiny Mazda was a trip unto itself. Slept on the side of the road in a ditch, and then woke up and it was Bread and Puppets, the old full festival, a few years before the drugs and a stabbing or whatever got them to pare it down. And to be honest, it was one of the most amazing things I’ve ever seen, to this day. Blew my mind seventeen times over that day, probably compounded because I had no idea it existed when I was tossed onto a hillside and witnessed it. A wonderful blessing.
The woman who was part of our traveling foursome wrote me a few times afterwards, but I lost touch, mostly because I never wrote back. Classic Raven distance, even though in my mind there was none. My mind and the physical world don’t always line up real well. That’s probably why a giant freaky puppet show with schoolbuses creating a stage made so much sense to me.
Anyways, the dancing tiger for this video I slapped together is from an old Bread and Puppet Festival performance. These videos are never my music, but a 45 I’ve played enough to fall in love with it slowed to 33 and then ripped to cyberlord files, and then I dig up some sort of footage that connects to the song in my mind, and tweak it with some filters, glow it up, scribble a Southern Gothicc Futurism over it, and load into the internetz gutz, for whatever eternity this cyberlibertarian entity can actually hold out for before the digital crash. I own no part of this, yet the slapping of it all together, in the particular ways I do it, is a sort of art, like poking a rhinestone into your jacket. This is my bedazzling of the internet, and I will never go viral, but I never wanted to. I am from the old internet, where you just did all the weird ass shit you wanted to do, and threw it up inside the land of 0s and 1s, and maybe somebody else on the Earth was freaky like you, and enjoyed it. I hope you are freaky like me. If you are not, then why did you read this far?

Tuesday, February 24

SONG OF THE DAY: What I Am (kudzu'd)


This is a great one slowed down. Juggle that break for hours, in my opinion. As a young mark from the middle of nowhere, I loved this song and loved Edie Brickell. She married a thousand year old man, and I have a horrible headache today.

Monday, February 23

SONG OF THE DAY: Slow Hand (kudzu'd)


I used to have a radio show on the local community radio station associated with UVA, and this was my theme song. I really enjoyed that time, but didn’t last long because those realms are controlled by boring ass white people with the exact same type of quirky, and if anything outside of that is not actually quirky, but an assault on their own foundational quirkiness. Anyways, fuck WTJU; it is the perfect example of UVA’s creative contributions to local and regional arts (self-important, overrated, boring as fuck for the most part).
It's also somewhat painful to realize, after all these decades of being alive and doing dumb shit, that every little cool kids scene is the same type of cool kids scene, run by the same types of somewhat basic and boring people who have to gatekeep their little scenes militantly or else the charade blows apart. So incredibly tired of this shit. But guess what? That's America.

Saturday, February 21

SONG OF THE DAY: It Doesn't Really Matter (kudzu'd)


I am forever confused as to how Dayton is in Ohio. If Ohio was a person, I would want to fight it. In fact, I often just think of J.D. Vance as anthropomorphic Ohio. But then I accidentally drive through Dayton, or even more easily listen to Zapp, and I’m like, “Damn, but Dayton.” I guess it’s like the Achilles heel, but opposite, so when you have a giant geographical lump of shit, you have to have this little reverse zone to confuse everybody, because the Universe is a Trickster, always and forever.

Friday, February 20

SONG OF THE DAY: The Devil Gives Me Everything (kudzu'd)


I’ve had a couple of conversations recently with folks about selling your soul. I guess it seems a feasible bargain to young folks whose minds haven’t developed fully enough. Probably felt that way to me too back in the day. Usually the type who is fine with compromising their soul for material wealth or superficial fame already has a compromised soul. I’ve never been able to do it. I was blessed as a young adult by being too rough around the edges to ever have great marketable value in the soul selling business. And as I’ve gotten older and learned to hone those edges into a more at peace mosaic that doesn’t cut into everybody I pass like it used to, I know there ain’t no real value in compromising myself. The Universe loves me how I am, and in fact wants me to be more like true me than I even am now. Why would I turn from that blessing and trade it in for momentary material comfort of minor fringe fame? Anyways, it’s Friday, and where I’m at, it’s abnormally warm. The demons love to come a-tempting a full on warm feelgood Fridays. We’ve been weakened by our seasonal long dark night of the soul. Stay strong, feel the sun, and maintain your soul.

Thursday, February 19

SONG OF THE DAY: It's A New Day (kudzu'd)


This article is about the band. For the medical condition, see skull fracture.
(FYI, this is what the first line of the Wikipedia page for Skull Snaps said. I liked it and thought it good enough to leave by itself, but then added this. Not sure why. I was really stoked to get this 45 whenever I got it. Classic break beat, and sounds great slowed down. I love to spin this one live. I don’t really spin live all that much, lol. I should convert an old Toyota mini pick-up truck into a mobile sound system though. Or a shitty ‘90s era minivan.)

Wednesday, February 18

SONG OF THE DAY: Starlight (kudzu'd)


There’s an old saying among my people in my head that says, “If you are too focused on the stars overhead, you will stub your toe on a cinderblock in the yard.” What this saying means is, yes, we should aspire for Universal Magnetism. But we also must collect scrap rebar and old cinderblocks and build immersive art environments from junk here on Earth. Where else will the spaceships know to land when they finally come back to retrieve all the blessed ones inhabiting the Hollow Earth, as well as the chosen 144,000 of us on the surface who have shown our worth by acts, not promises?

Tuesday, February 17

SONG OF THE DAY: Tambura (kudzu'd)


Puppets are pretty cool actually. It kinda sucks not too many people learn or practice puppetry these days, and mostly our reference to “puppet” is a metaphor for an unthinking individual. The metaphor has taken prominence over the actual practice. Disgusting. That’s why when I win the lottery, I’m going to found a College of Puppetry, preferably in some dying Appalachian town. Maybe multiple ones, actually, like 8 of them, each in a different state, and we’ll have a team marionette competition instead of football and basketball, and keep it a perfect 8. Can you imagine the Dirtgod Appalachian Schooling Conference Marionette Tournament, every summer to wrap up on June 27th, international DJ Screw, because that’s the perfect in-between mini-holiday excuse to keep it chill between Juneteenth and 4th of July.

Friday, February 13

SONG OF THE DAY: Danger Zone (kudzu'd)


I was watching old wrestling, and the Midnight Express version of Loverboy Dennis and Beautiful Bobby were coming out, and I noticed that Loverboy Dennis does this ridiculous thing where he’s got a bandana around his neck when he enters the ring, takes it off, and ties it around his leg for the match. And if you’ve ever seen a picture of Loverboy Dennis, he definitely looks like the type of dude whose brain would work that way. Anyways, I wanted to incorporate this into my lifestyle now, but unfortunately, I don’t wear bandanas. This leads me to believe I took a wrong turn somewhere along the way.

Thursday, February 12

SONG OF THE DAY: Tico Tico (kudzu'd)


They should make an old school throwback flannel jersey, but in the San Diego Padres vaporwave colors that they had that one season, except a black away version, and it says CUMBIA. It should be embroidered. The Corpus Christi minor league baseball team made a Cumbias “Hispanic Heritage” jersey a while back, but minor league jerseys are screen printed, and the plural of cumbia is still just cumbia, because it is a supreme entity that can’t be quantified. Thus the Corpus Christi baseball team will forever be cursed for attempting to co-opt a supreme entity for cheap pandering marketing purposes. Folks always think they’re justified in anything because it’s capitalism covered by entrepreneurialism, but nah, your Yakubian actions have Universal consequences.

Wednesday, February 11

SONG OF THE DAY: Numbers (kudzu'd)


8 is often my favorite number (singular digit), because it is an upright infinity, though I disagree with the human laws of civility being applied to infinity and making it upright. 7 is a good one as well, and 3, both have significant mythological reputations for good and even godliness. I was born in ’73, so I feel that’s a blessing. But often when I get to thinking about numbers too much, I get lost in the fact that so much of our numerology is all built on the Base 10 foundation, that we have 10 singular digits with which we count things. It’s not like this is any sort of higher reality that was discovered scientifically; it’s just a construct we created, and have so deeply taught everyone, that it’s nigh impossible to think outside the Base 10 box built around us. Going up, to say Base 11, is easier on first glimpse, because you just imagine a new character for the 11th singular digit, and start counting. But everything gets complicated because we don’t really think that way, and can only calculate the new Base 11 rolls and flexes and growth through a Base 10 relationship in our brain. Base 10 is so deeply entrenched in our collective psyche.
To an extent, that’s a lot of the civilizational psychic infrastructure built around us. It’s not a naturally occurring thing we are replicating. Squirrels don’t stack nuts in sets of 10. Tulips don’t have 10 petals. We just, as overthinking hominids, felt the need to apply some sort of order to everything. So we went all Base 10 on everything. And then, Base 10 allows human minds to quantify an abstraction like wealth, and in fact, hoard this abstraction and its physical representations, until the actual physical material reality of a bunch of other humans is compromised, just to maintain the abstract hoard. So as we feel stronger and stronger dissatisfaction with our psychic infrastructure, as it doesn’t allow for the natural blossom of hope and happiness as easily, I think it’s a good reminder to notice how far outside the box you can let your thinking go. Psychic infrastructure built upon social constructs that are fallacy, or contribute to manufacturing suffering, these things cannot be reformed. You can’t put a fresh coat of paint on mildewed rotten walls and expect the mildew to eat through the superficial fixes eventually. But seemingly, that’s what we are offered, to answer our growing dissatisfaction. Think outside the box, then hack the box with machetes, and even if you don’t have answers as to what should be next, you can still mock the ever living fuck out of anyone trying to put a new box around everything, as securely as possible. Telling a prisoner of circumstance they do not deserve freedom because they can’t envision how the prison could be better is a fucked up expectation to put on folks.

Tuesday, February 10

SONG OF THE DAY: Person to Person (kudzu'd)


If I won the lottery, first thing I’d do is commission a new luchador movie where Psycho Clown and Pagano are superheroes fighting evil ICE agents. But I wouldn’t want it to be all goofy new blockbuster style, plus I couldn’t really afford that, even if I won the lottery, because I’d also want to buy the old grocery store and turn it into an illegitimate arts emporium. Plus turn the old K-mart into an international flea market, which would be a great setting for the luchadors fighting ICE movie. Seems like it would make sense to try and get John Waters to direct the movie, but he seems like the kinda guy that would want to only make his own movies, and not work well with others. I’d want to involve La Hiedra somehow, obviously, so maybe weirdness with her would convince Waters to be on board with the project. Of course, now that World Wide Fascism owns AAA, that means Psycho Clown, Pagano, and La Hiedra are unavailable creatively, as they are contractually obligated to devilry. Thus, plan B for when I win the lottery is to do exactly what I just said, except it’s probably gonna be an off-brand John Waters, and involve Zona 23 instead, likely Juan el Ranchero and Demus el Demonio. I think a friendly rancher and a good-hearted demon doing battle against evil ICE agents in Mazatlan junkyards makes a lot of sense, hand to hand combatting to free a warehouse prison full of women and children. That’s the type of art I’d be commissioning if I were rich beyond belief. We have such boring wealthy people these days.

Monday, February 9

SONG OF THE DAY: On A Sunday Afternoon (kudzu'd)


I have spent years, going through all the regional hip hop scenes’ histories, painstakingly compiling all references to playing horseshoes, in honor of my father, who loved the game more than almost anything else. This has involved hours upon hours of digging through obscure record label discographies, forgotten groups that never made any noise outside of their small city, and digging through both digital and physical archives of DJs, music writers, and hip hop historians. Thus far, this is the only song on the playlist.

Sunday, February 8

SONG OF THE DAY: Ridin' (kudzu'd)


It’s fun to sit in the secondary DPUs on a long ass train, at night when nobody can see you sitting in there, and pretend you’re driving the train. Granted, your front view is blocked by the other half of the train you’re behind; but it’s still fun as fuck. Especially pretending to hit the horn at crossings. I love that shit.

Saturday, February 7

SONG OF THE DAY: Turn Off The Lights (kudzu'd)


People usually just think “Turn Off The Lights” was a sexy ass song that Teddy Pendergrass made because he was a sexy ass man, but it was actually CIA-funded, and was pushed on urban American radio in the summer of 1979 in response to the Islamic Revolution in Iran, and the rising energy costs America was experiencing as a result of that. The song was released by Philadelphia International Records, the label run by the famous Gamble and Huff songwriting tandem, who had helped usher in an era of pro-Black pop soul in the decade before. But by 1975, Gamble and Huff were caught up in a payola-related scandal, and recruited by the CIA, much like the Iowa Writer’s Workshop MFA program, to help engineer mass-consciousness. This ushered in an era of songs like “Turn Off The Lights”, The Jacksons’ “Enjoy Yourself”, and “Ain’t No Stoppin’ Us Now” by McFadden & Whitehead. “Turn Off The Lights” only got up to 48 on the Hot 100 Billboard charts, as Teddy’s voice was too sexy in a primordial sense, so the song’s effects on mass consciousness were thwarted by the feral sexiness of the track. The CIA handlers of Gamble and Huff had toyed with the idea of using the song with Michael Jackson’s still childlike voice, though America was perhaps not ready for that level of sexualizing a well-known child singer, albeit him now being an adult. Plus, Jackson was in the process of being moved to a solo career, moving from a soul-specific CIA operation, to a larger CIA pop music project beginning with Epic Records around the same time. But Jackson’s “Don’t Stop ‘Til You Get Enough” was created in the same secret writing sessions of the late ‘70s as “Turn Off The Lights”. In 1982, as Pendergrass was finishing up his sixth album, he began to become frustrated with his label’s handlers, and had threatened to name some names and start outing the secretive efforts to control pop music in America. This led to a “mechanical failure” in his Rolls Royce causing an accident which left the singer paralyzed. His sixth album was released, but without the same push behind the scenes, and thus was his first to not go gold or platinum. The label (and CIA project) used up the rest of his recorded material with Philadelphia International to release 1983’s Heaven Only Knows, also without any push behind the scenes, and that finished his contractual obligations with the label, with Gamble and Huff, and with the CIA handlers who helped make him a superstar.

Friday, February 6

SONG OF THE DAY: Del Barrio Pal Barrio (kudzu'd)


We don’t have an actual free market, because it only allows for market changes by those already with the wealth to do so. Thus, we have “disruption” of taxi service to be gig economy jobs to drive people around as Uber of Lyft, burning through willing drivers, because it’s nearly impossible to make money at the gamified gig that benefits the creator of the new system. And you put existing taxi services out of business, by siphoning away their easiest customer base.
We used to have all these amazing Greyhound stations in America, and one by one, they’ve been shuttered and sold off, and now, for the most part, if you catch a Greyhound (if they still serve you where you are), you stand outside somewhere until it shows up, just standing around like a fuckin’ pigeon. And the old Greyhound stations were beautiful a lot of times! The Greyhound station in Charlottesville has been shut down for a while, fenced off, nobody’s bought it, looks like some work has been done inside minimally, but mostly it’s just an abandoned hulk of building that could be a goddamned bus station.
I say all this because one of the great cultural achievements that is so easily overlooked is the Transportation to Sound System channel, where a taxi driver or bus driver spends so much of their life behind the wheel, that they obviously need to keep themselves entertained, so they develop a love for playing music they love. It’s the DJ/curator on wheels aesthetic, and in many places, when combined with individual buses, which can be decorated in colorful creative aesthetics (as is often the case in non-American parts of the world), it creates a whole vibe. And who doesn’t want a whole vibe when you’re stuck on a bus for a long ass ride?
In America, we are controlled by legal ownership principles, so even if someone has a bus or cab idea, they paint them all in trademarked patterns that are patented and claimed as unique proprietary material, instead of just letting your longest time drivers also be owners and paint that shit up however they see fit, to help them enjoy their days spent working. Anyways, shout out to all the taxi cab and bus drivers out there with their signature sounds that they blast and sing along to and often times annoy white America with, because we seemingly have been trained to only appreciate the bland of the free (trademarked).

Thursday, February 5

SONG OF THE DAY: I Wanna Sex You Up (kudzu'd)


This is such a corny song normal speed, and still might be slowed down, but I enjoy it. The thump has more thump (classic bass thickening from shifted pitch). Slowed down the “tick tock you don’t stop” adds layers of suggestive metaphysical meaning. At least to me, it does.

Wednesday, February 4

SONG OF THE DAY: Cruisin' to the Park (kudzu'd)


It ain’t easy being half-assed fresh when you’re born greasy. This is a recipe actually. Your psychic yokefellow is gonna do a produce order last week, because why buy produce at the grocery store when you can wholesale that shit and go straight to the produce man? You ask for turnip greens (feeling like an alternative to your standard bearer mustard greens), some mushrooms (maybe lion’s mane, or shiitake, the good shit), and fresh peas (meaning the little ball bearings of deliciousness). You end up getting collards, because they don’t have turnips, and your partner has them put back the lion’s mane, because it’s like “Epstein is my financial advisor” expensive. And you get sugar peas instead of ball bearing peas, but that’s okay, because you love them fuckers. You forget about the collards for a day or two, but then remember they’re about to go bad, so you gotta cook them. But then you see some smoked turkey legs on markdown at the grocery store, so you gotta get that to flavor the green. Anyways, first thing is you chop up a couple big ass sweet onions, like either the biggest two left in the onion crisper drawer, or if you don’t have big ones, then three of the other ones (2 bigs = 3 mids; standard dirtgod measurement). Let them sizzle on high heat in olive oil from the Afghan store (big glass gallon jug). Watch ‘em, because you don’t want them to burn. Start chopping collards. If the leaves are big as fuck, slice ‘em down the middle, then slice up the greens, keeping as much of the stem as you can. Stems are good, just slice ‘em thin enough to cook down. Your cutting board ain’t big enough to chop all the greens, so add it to the pot with the onions as necessary to keep the cutting board open for more super destruction of collards with your best knife (the one that can still accidentally break flesh, and nip off part of a fingernail). But you don’t wanna fry up greens necessarily, so keep the pot on high but add just enough chicken broth to almost cover what greens is already in the mix. Let that boil up while you keep chopping greens until you run out. My measurement for all this is for one big ass head of collards. If you have more than that, double up on the onions and other shit, but if you have any common sense about the kitchen, you already know that. Actually, if you know your way around the kitchen, you’ve probably already tuned this out, which is fine. I hate long ass explanations of recipes like you read online myself. But this isn’t actually a recipe; it’s about how hard it is to stay half-assed fresh when you’re born greasy. Once you got all the greens going, don’t let it boil on high, go ahead and cut it down to medium heat, or your preferred simmering heat. My “burner is on” light on the left side of the stove got stuck on last weekend, so it fucks up my flow on the stove. Shit freaks me out when I walk in the kitchen in the middle of the night when I wake up and need a drink because the CPAP cobra clutches all humidity from my body like an evil demon of medical advance. I go medium at this point, maybe a little less. Then you bust out the turkey legs, which to be honest, are one of the most annoying entities on earth, with all that succulent dark meat all weirdly entangled with those gristle bones that turkey legs got – too soft to be a full-on bone, but too cartilagey for my human teeth to gnaw through. And see, this is where the problem arises, because you’re in your fuzzy “I look like a teddy bear” Polo hoodie, which you wish you had 37 of, in a full array of colors, but you only got the one, so it’s gotta last you the rest of your life, since this is what you hope to be cremated in, this hoodie and your orange patch motif overalls. You kinda like the purple patch motif overalls more, but that one has base layer of blue denim overalls, while the orange patch one has base layer of that brown duck fabric, so it matches the brown “I look like a teddy bear” Polo hoodie better. Anyways, you don’t wanna be stripping turkey meat from cartilage with your bare hands, getting greasier and greasier, while wearing the Polo hoodie, so you take it off, and drape it over a chair. But you’ve got a Polo long sleeve like fake long john material underneath, and that’s pretty nice, too, and mostly white, which good lord, why would somebody like me even try to own white clothes? It’s a losing effort. So you take that off, too, and drape it over the chair as well. Now, it’s like been cold as fuck, so you’ve got the heat set at 60, because you can’t afford to be heating the whole ass house all the time (again, Epstein is not your financial advisor; empty pickle gallon jar in the bedroom, half full of change is). But you find yourself wrestling the meat off some smoked turkey legs, to chop up and put in the greens, bare-skinned from the waist up, as all good men in the kitchen should be ideally. I actually think the toxic masculine-induced shame most men feel about not wearing a shirt, which has led to a whole slew of dudes going swimming with shirts one (which is weird as hell), also contributes to how we are not comfortable being shirtless in the kitchen. Fuck that shit, let your gut out, and get to fixin’ some more things to stuff into it. Eventually you get most all the good meat off the turkey legs, and into the pot, which is now in that like 1/3 of the way between medium and low but on the medium side of my stove (fancy people may have fancier dials where the “in use” light actually goes off and them flat stovetops that look like spaceships have, so adjust my dial instructions as your current economic standing in the dying American empire dictates). The dog that’s been on the runner out back can smell all this shit going on inside, so is barking to come in. Go ahead and throw the smoked turkey bones into another small pot to boil up briefly, to drive the dog crazy. But then cool that pot down, so you can put the dog back on the runner and throw the turkey bone out to them. Bougie folks (dog moms and dads) don’t like to feed their dogs poultry bones, because they’re afraid it’ll do damage and they’ll have to take the dog to the vet, but true country people never take their animals to the vet, and also know life is a gamble, but you gotta live the way you wanna live, and that dog wants them turkey legbones. So you throw them in the yard, with the dog back on the runner, and the collards are slow cooking on the stove, filling the whole house with smells, so that when you walk to the back door to make sure the dog didn’t choke on a turkey bone and is dead out there, you think, “Haha, no Xes on the dog’s eyes,” like they are a cartoon. But then the smell is so good that when you turn around, you float up into the air and your nose pulls your body back into the kitchen, nose first, like six feet in the air, and you almost hit your head on the top of the doorways because your eyes are closed, and your nose is leading the way, but somehow you don’t, and it smells so fuckin’ good. But you can’t eat it for another 4 or 5 hours. In fact, the true cook time of collard greens is sort of like a mini-Ramadan, in that you deny yourself the indulgences of the greens for as long as possible, so that it can cook down to its purest essence, and be entirely flavored with the turkey as well as additional spices you add (black pepper, definitely some cayenne), so that once you finally break your temporary fast and enjoy a flat bowl (not a deep bowl, but not a plate, somewhere in the middle aka a flat bowl) of collards, it has cooked for so long and you are so hungry that it’s the greatest goddamn thing you’ve ever eaten in your life. This is best served with nothing, you don’t need 3 or 4 goddamn things in every meal. The empire is dying, lol, start controlling your desire for a smorgasbord at every moment. But if you absolutely have to have something with it, I’d suggest making a little round cast iron frying pan of cornbread. I think there’s still old buttermilk in the fridge, and technically buttermilk that you’d use for cornbread never goes bad, like for years you can still use it. But I don’t personally feel like making cornbread, and you’re not here to make it (I feel your judgment), so I’m just having a couple flat bowls of collard greens, while I listen to Motley Crue’s Too Fast For Love, with the pitch shifter on the turntable slowed all the way down. (I will leave the concept of “Too Slow For Love” unmentioned – inside these parenthesis don’t count – so that you can have that idea. I hope you do something with it, I really do.) Oh yeah, don’t put your hoodie back on ‘til you’re done eating greens, but you can put the long johns Polo thing back on. It’s cold in here, and white clothes should know better than to be around you.

Tuesday, February 3

SONG OF THE DAY: Just Me and You (kudzu'd)


I love bumpin’ the slowed souldies, and wish I could build a spot where this type of vibe could be enjoyed publicly. Seems like all you can do is either the familiar or the expected. Like there’s a certain style of “funk vibes” that’s allowed. I don’t know man, everything feels so predictable, even the allegedly clever stuff, I guess because our whole society has been tag teamed in the brain by long covid and digital dementia, and all you can really do is get a bunch of drunks to have cheerful pavlovian responses triggered by dopamine spikes from their nostalgia biases being triggered. Death to ‘Merica, baby!

Monday, February 2

SONG OF THE DAY: Oh Honey (kudzu'd)


Worker bees don’t organize No Queen Bees protests. They just work, rising and grinding, inspired to maintain that drone life. Neurologically, they become addicted to the drone worker bee lifestyle to the point their actual neurology changes to where that’s all they think about. They acquire an artificial intelligence that becomes their nature. Anyways, let’s go get this honey!

Saturday, January 31

SONG OF THE DAY: So Low (kudzu'd)


There's piles of railroad detritus here and there along the tracks. Nice little hills of clasps and spikes and plates, and sometimes you find a great big siding of ragged old ties stacked high, and replaced rail. One time last year, I strapped 38 miles of rail to the top of my Corolla, because I'm building a 1:1 scale replica of an old small town railroad depot in the woods behind my house. I got a big DILLWYN sign too, from when they replaced that the other year, and a friend hipped me to the old one being stashed behind a building before they threw it away. You'd be surprised how much old shit they just throw away. I hope to one day build a whole town, with like 5000 residents, and a small public liberal arts college, in the woods behind my house, all with recycled things found in the trash.

Friday, January 30

SONG OF THE DAY: I Get Lifted (kudzu'd)


I wanted to write about how much I love Latimore in general, and this song specifically, but then I let the video I made a month back play, from some old ass cartoon, and boy, this one is a banger. I hope somewhere on this expansive Earth, somebody just gets baked as shit and lets the dirtgod’s 45s on 33 channel shuffle on their screen, big and loud as possible. Because I try to be a big and loud as possible, but also small and unassuming. Within my sweetness is a touch of masculinity, and within my masculinity is a touch of sweetness. Like a yin yang, but with untended beard instead.

Thursday, January 29

SONG OF THE DAY: Easy Evil (kudzu'd)


The reason I love slowing down music is because it can take something entirely familiar, and reshape it in your experience. We are three-dimensional creatures (don’t let the “time travel is possible” types try to fool you otherwise), and thus when our notion of those three dimensions is even slightly shifted, it refreshes our attention. Anyways, this is a pretty chill AM soft rock classic, which then becomes even more chill, although maybe ominous, when slowed down. I make all these videos, grabbing clips from the wayback archives of one sort or another, then slapping them together with my favorite slowed down colors, and putting the music over top. Because it technically violates the copyright of the music owner, I don’t get no yakubian youtube play credits – all rights reserved by whoever ripped off the musicians back in the day. But art is not about profit, unless you are a born asshole. Anyways, we live in a great time of easy evil, so I hope you are still fighting the good fight, on all fronts, and in all metaphysical planes. If you have powers beyond the three dimensions, I humbly request you ask the Universe to smile upon me. I know I will encounter a thousand robot skims, at the minimum, before even one set of real eyeballs reads this whole paragraph. And likely millions of web trawlers, scraping the net for data, before an actual bona fide beyond-the-earthly realm power type sees this. But I like to put it out there. I feel fairly blessed in life already, but Universal sunshine is not like abstract human wealth – you can’t hoard it and it doesn’t pile up and become a burden. It’ll be like an extra half ounce of sunshine on an already sunny day. Thank you for your attention to this matter.

Wednesday, January 28

SONG OF THE DAY: Los Borrachoes Son Uds. (kudzu'd)


I have a passport now, and really the only thing stopping me from going to Peru and scooping up the dopest cumbia 45s possible to come back and stunt on the haters with is the fact I can’t afford any of that at all. Not only is money the root of all evil, but it’s also the root of all “you ain’t doing that shit” as well. Oh well. I got plenty, so let’s cut it up, and turn the heat up to 63 because we’re feeling froggy, and dance with the cats until they are all freaked out and shit.
By the way, this video is of Diego Maradona, the true all-time greatest footballer ever. I'm very excited for the World Cup to not happen in the United States, even though we'll be denied the comedy of every host match being an away one, because unless the USA is playing like Thailand, it always has more folks supporting the visitors than the USMNT. The US will never be good at soccer, until we embrace socialism, and make reparations to the black and indigenous. Until then it will always be some "white dudes drinking IPAs" cosplay ass shit.

Tuesday, January 27

SONG OF THE DAY: I Don't Want to be a Freak (But I Can't Help Myself) (kudzu'd)


In all my slowing down 45s to 33 speed years, never have I come across a song I love as much as this one, that I had no knowledge of at all beforehand. This is a 45 that I’m up to 4 or 5 copies, of varying qualities, and honestly, I can never have too many. I stockpile Dynasty 45s like dry beans for the apocalypse. Anyways, I don’t have anything clever to say today, in fact, my brain has become quite foggy. It’s too cold, or I’m too old, or it’s a time of year that runs me down, or I don’t know. But I know the mantra of this song is still true, and one day this will be our national anthem, played at the wrong speed (which is the correct one), as we realize we don’t need a flag because we don’t have borders that aren’t already present in nature.

Monday, January 26

SONG OF THE DAY: More Bounce to The Ounce Part 1 (kudzu'd)


A friend was sharing videos from a Myanmar field sound system, and I'm always looking at the homemade futuristic hyper DJ set-ups from Africa. It's weird how we have access to all this shit as Americans, but nobody builds a fuckin' sound system like that. I guess it's because you spend all this money, and you're afraid of your abstract wealth getting stolen, so you lock it all up in your house, rather than have a mobile giant ass sound system. I think about this a lot with regards to Roger Troutman vocals, too, because everybody will think autotune or vocoder, but nah man, he had a talkbox rigged to a keyboard. I feel complicit in this because I google how to build shit sometimes, but like my dad's friend Tank used to say about auto repair manuals, "If you need a manual, then you don't know how to do it." You can't google how to build a mobile sound system out of scraps; you just have to know how to do it, by the life you've lived. We've lost so much with our cluttered blessings of Americanness.

Friday, January 23

SONG OF THE DAY: Super Freak (Part 1) (kudzu'd)


We seemed to have lost our cultural pride in freakiness. This bums me out, mostly because I’m freaky as hell. And also there’s a sort of collective performative quirkiness that’s don’t feel like authentic freakiness. Like, really weird appearing people who are basic and, to be honest, somewhat bland. The truly freaky have often looked normal enough, which is helpful, because you can’t be freaky in the weirdest places possible if somebody identifies you as “freaky looking” before you get there. Gotta have a little freak camouflage, to not call attention to yourself. Anyways, please feel free to be freakier, and take militant pride in your freakiness. Don’t let nobody tell you what you shouldn’t be doing. They don’t know you.

Thursday, January 22

SONG OF THE DAY: Mundian To Bach Ke (kudzu'd)


I have compiled 99 Problems With Jay-Z (because I am a bitch), and one of them is the remix of this song which Jay-Z polluted with weak ass ad-libs and his lethargic “clever guy who had a stroke” lyricism. He was always a biter of styles, and then later a co-opter of flavors, which of course makes sense he would become a billionaire capitalist for exploiting the creative labor of others into his own impossibly vast abstract wealth. Please note, he did not become a billionaire for his own record sales, so don’t act like pointing out a wack ass throwback jam or two from your younger days is meritocratic proof of his billionairessness. If that was the case, Big Daddy Kane would be rich as Musk right now.
Anyways, with this song specifically, it’s good to have the 45 to play slow, because even crawling, this beat is bonkers. And Panjabi MC rides it appropriately, like on a barely holding together motorbike, pushing the limits of the throttle, but slowing down for dirt road curves, sliding into the next stretch… there is a psychology to this shit that Jay-Z missed entirely. He was just excited to stumble down the same beat and pretend he had something to do with it, like all fat pocketed empty soul successful capitalists. You know this motherfucker has a Basquiat painting nobody ever saw, and he bragged about it? Why would you brag about that shit? I hope the ghost of Rammellzee torments him every night in this sleep, and has him seeing the Shadow People hovering over his triple king bed.

Wednesday, January 21

SONG OF THE DAY: If You Wanna Get To Heaven (kudzu'd)


My wishes are to be cremated, and have my ashes stored in a Timberlands box which is accidentally donated to the thrift store, as has been the way of my people since the beginning of time.

Monday, January 19